Blurring the boundaries : installation art 1969-1996 /
"Far from being the latest movement or a new development in contemporary art, installation art, one could argue, is only the most recent manifestation of the oldest tradition in art, going as far back as the prehistoric paintings on cave walls at Lascaux. Fundamental to this work are its habita...
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| Format: | Book |
| Language: | English |
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La Jolla, Calif. : New York, NY :
Museum of Contemporary Art, San Diego ; Available through D.A.P./Distributed Art Publishers,
c1997.
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| LEADER | 02978cam a2200373 a 4500 | ||
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| 001 | 007418787-2 | ||
| 005 | 20020606163548.3 | ||
| 008 | 970502s1997 caua bc 001 0 eng d | ||
| 010 | |a 94075415 | ||
| 020 | |a 0934418446 | ||
| 035 | 0 | |a ocm36660649 | |
| 035 | 1 | |a MAHA97B694 | |
| 035 | 1 | |z PAPA97B232 | |
| 040 | |a RVE |c RVE |d NNU |d NNWhit |d MH-FA | ||
| 050 | 4 | |a N6494.I56 |b D284 1997 | |
| 245 | 0 | 0 | |a Blurring the boundaries : |b installation art 1969-1996 / |c essays by Hugh M. Davies, Ronald J. Onorato ; catalogue entries by Hugh M. Davies ... [et al.]. |
| 246 | 3 | 0 | |a Installation art, 1969-1996 |
| 260 | |a La Jolla, Calif. : |b Museum of Contemporary Art, San Diego ; |a New York, NY : |b Available through D.A.P./Distributed Art Publishers, |c c1997. | ||
| 300 | |a 198 p. : |b ill. (some col.) ; |c 31 cm. | ||
| 500 | |a "... examines the subject of installation art through the permanent collection and exhibition record of the Museum of Contemporary Art, San Diego"--Front cover flap. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 520 | 1 | |a "Far from being the latest movement or a new development in contemporary art, installation art, one could argue, is only the most recent manifestation of the oldest tradition in art, going as far back as the prehistoric paintings on cave walls at Lascaux. Fundamental to this work are its habitation and incorporation of a physical site, a connection to real conditions - be they visual, historical, or social - and often, a bridging of traditional art boundaries. The aesthetic power of installation art does not reside in the singular, commodified object but rather in the artwork's ability to become, not merely represent, the continuum of real experience." "Blurring the Boundaries examines the subject of installation art through the permanent collection and exhibition record of the Museum of Contemporary Art, San Diego, an institution with a unique heritage in support of such art dating back to the 1960s."--Jacket. | |
| 505 | 0 | |a Vito Acconci -- Stephen Antonakos -- Mowry Baden -- Chris Burden -- Kate Ericson and Mel Ziegler -- Dan Flavin -- Robert Gober -- Ann Hamilton -- Robert Irwin -- Alfredo Jaar -- Wendy Jacob -- Anish Kapoor -- Paul Kos -- Sol LeWitt -- James Luna -- Maria Nordman -- Patricia Patterson -- Markus Raetz -- Alexis Smith -- Francesc Torres -- George Trakas -- James Turrell -- Bill Viola -- Krzysztof Wodiczko. | |
| 610 | 2 | 0 | |a Museum of Contemporary Art, San Diego |v Exhibitions. |
| 650 | 0 | |a Installations (Art) |v Exhibitions. | |
| 650 | 0 | |a Installations (Art) |x Themes, motives. | |
| 650 | 0 | |a Art, Modern |y 20th century |v Exhibitions. | |
| 655 | 7 | |a Exhibition catalogs. |2 fast | |
| 700 | 1 | |a Davies, Hugh Marlais, |d 1948- | |
| 700 | 1 | |a Onorato, Ronald J. | |
| 710 | 2 | |a Museum of Contemporary Art, San Diego. | |
| 776 | 0 | 8 | |i Online version: |t Blurring the boundaries. |d [San Diego, Calif.] : Museum of Contemporary Art, San Diego, ©1997 |w (OCoLC)607567291 |
| 988 | |a 20020608 | ||
| 906 | |0 RLIN | ||