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Bootlegging : romanticism and copyright in the music industry /

"Bootlegs - live concert recordings or studio outtakes reproduced without the permission of the rights holder - hold a prominent position in the pantheon of popular music. They are also much misrepresented and this fascinating book constitutes the first full length academic treatment of the sub...

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தலைமை எழுத்தாளர்: Marshall, Lee.
வடிவம்: புத்தகம்
மொழி:English
வெளியீடப்பட்டது: London ; Thousand Oaks, Calif. : SAGE, 2005.
தொகுதி:Theory, culture & society (Unnumbered)
பகுதிகள்:
Sound recordings > Pirated editions.
Sound recordings > Pirated editions > Social aspects.
Copyright > Music.
Copyright > Music > Social aspects.
Romanticism.
குறியீடுகள்: குறிச்சொல் இணை
குறியீடுகள் இல்லை, இந்த குறிச்சொல்லை முதலில் பதிவு செய்யுங்கள்!
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020 |a 0761944907 (cased) 
035 0 |a ocm58053615 
040 |a UKM  |c UKM  |d BAKER  |d YLS  |d COO  |d HMU 
042 |a pcc 
050 4 |a K1457.15  |b .M37 2005 
100 1 |a Marshall, Lee. 
245 1 0 |a Bootlegging :  |b romanticism and copyright in the music industry /  |c Lee Marshall. 
246 3 0 |a Romanticism and copyright in the music industry 
260 |a London ;  |a Thousand Oaks, Calif. :  |b SAGE,  |c 2005. 
300 |a viii, 169 p. ;  |c 24 cm. 
490 1 |a Theory, culture & society 
504 |a Includes bibliographical references (p. [160]-167) and index. 
505 0 0 |t Lessons from History --  |t Authorship and copyright before 1710 --  |t The Statute of Anne --  |t The battle of the booksellers: literary property defined --  |t Copyright in revolutionary France and America --  |t Developing a sociological understanding of copyright --  |t Copyright and the Romantic Author --  |t 'Romanticism' --  |t The Romantic author in nineteenth century UK copyright --  |t Romanticism and copyright --  |t Wordsworth, copyright and immortality --  |t The author, his readers and the market --  |t The Romantic author in French copyright --  |t The hegemony of Romanticism --  |t Romanticism and Popular Music --  |t A note on terminology --  |t Romanticism and rock authenticity  |t Romanticism, Copyright and Piracy --  |t Romanticism and the music industry --  |t Romanticism, commodification and copyright --  |t Romanticism and the strengthening of copyright --  |t Piracy as an aesthetic crime --  |t Problems and Alternatives --  |t Adorno's culture industry --  |t The collective subject and the death of the author --  |t A positive public right in copyright --  |t Introduction to Bootlegging --  |t Copyright in sound recordings of musical works --  |t Bootlegging and international copyright --  |t Defining different types of piracy --  |t An Overview of Bootlegging --  |t The early history of rock bootlegs --  |t Bootleg sources --  |t The scale of bootlegging --  |t Bootleg collectors --  |t A model of bootlegging --  |t The 'protection gap' --  |t The Impact of Bootlegging on the Record Industry and the Industry's Response --  |t The economic impact of bootlegging --  |t Legal responses to bootlegging --  |t Anti-bootleg rhetoric --  |t Author-centered rhetoric --  |t The Dialectic of Romanticism and the Symbolic Significance of Bootlegging --  |t Contested commodification --  |t The dialectic of Romanticism. 
520 1 |a "Bootlegs - live concert recordings or studio outtakes reproduced without the permission of the rights holder - hold a prominent position in the pantheon of popular music. They are also much misrepresented and this fascinating book constitutes the first full length academic treatment of the subject." "By examining the centrality of Romantic authorship to both copyright and the music industry, the author highlights the mutual dependence of capitalism and Romanticism, which situates the individual as the key creative force while challenging the commodification of art and self." "Marshall reveals how the desire for bootlegs is driven by the same ideals of authenticity employed by the legitimate industry in its copyright rhetoric and practice and demonstrates how bootlegs exist as an antagonistic but necessary component of an industry that does much to prevent them." "This book will be of great interest to researchers and students in the sociology of culture, social theory, cultural studies and law."--BOOK JACKET. 
650 0 |a Sound recordings  |x Pirated editions. 
650 0 |a Sound recordings  |x Pirated editions  |x Social aspects. 
650 0 |a Copyright  |x Music. 
650 0 |a Copyright  |x Music  |x Social aspects. 
650 0 |a Romanticism. 
830 0 |a Theory, culture & society (Unnumbered) 
988 |a 20050929 
906 |0 OCLC 

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