Components of a practice /
"Highly influential both as an artist and as a theorist of the image, Victor Burgin first came to prominence in the late 1960s as one of the originators of Conceptual Art. Initially working mainly in photography he turned to digital video when the technology became available in the early 1990s....
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| Corporate Authors: | , |
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| Format: | Book |
| Language: | English |
| Published: |
Milano : New York, NY, USA : Distributed in North America by Rizzoli International Publications,
Skira ;
2008.
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| Edition: | 1st ed. |
| Subjects: | |
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| LEADER | 02294nam a2200409 a 4500 | ||
|---|---|---|---|
| 001 | 011569947-3 | ||
| 005 | 20080924075529.0 | ||
| 008 | 080922s2008 it a b 000|0 eng d | ||
| 020 | |a 9788861305427 | ||
| 020 | |a 8861305423 | ||
| 035 | 0 | |a ocn276224119 | |
| 040 | |a MH-L |c MH-L | ||
| 043 | |a e-uk--- | ||
| 050 | 4 | |a N6494.V53 |b B867x 2008 | |
| 100 | 1 | |a Burgin, Victor. | |
| 245 | 1 | 0 | |a Components of a practice / |c Victor Burgin. |
| 246 | 3 | |a Victor Burgin, components of a practice | |
| 250 | |a 1st ed. | ||
| 260 | |a Milano : |b Skira ; |a New York, NY, USA : Distributed in North America by Rizzoli International Publications, |c 2008. | ||
| 300 | |a 263 p. : |b ill. (some col.) ; |c 29 cm. | ||
| 504 | |a Includes bibliographical references (p. 262-263). | ||
| 520 | 1 | |a "Highly influential both as an artist and as a theorist of the image, Victor Burgin first came to prominence in the late 1960s as one of the originators of Conceptual Art. Initially working mainly in photography he turned to digital video when the technology became available in the early 1990s. In this book, the first in which he turns his critical attention upon his own artistic production, Burgin gives an account of the beginnings, evolution, ideology and specificity of a practice that over the past forty years has produced a body of work of exceptional aesthetic and intellectual integrity."--BOOK JACKET. | |
| 505 | 0 | |a Introduction -- Beginnings -- Evolution -- Ideology -- Specificity -- Ten video works -- Nietzsche's Paris -- Watergate -- Elective affinities -- Listen to Britain -- Assemblee dans un parc -- The little house -- Voyage to Italy -- Fogliazzi -- The fifth promenade -- Alle otto. Solito posto. | |
| 600 | 1 | 0 | |a Burgin, Victor. |
| 650 | 0 | |a Video art. | |
| 650 | 0 | |a Photography, Artistic. | |
| 650 | 0 | |a Installations (Art) | |
| 650 | 0 | |a Conceptual art. | |
| 600 | 1 | 0 | |a Burgin, Victor |v Exhibitions. |
| 650 | 0 | |a Video art |z Great Britain |v Exhibitions. | |
| 655 | 7 | |a Exhibition catalogs. |2 fast | |
| 700 | 1 | |a Maggia, Filippo. | |
| 710 | 2 | |a Opera Bevilacqua La Masa (Venice, Italy) | |
| 710 | 2 | |a Museo di fotografia contemporanea (Cinisello Balsamo, Italy) | |
| 776 | 0 | 8 | |i Online version: |a Burgin, Victor. |t Victor Burgin. |d Milano : Skira, ©2008 |w (OCoLC)649383305 |
| 988 | |a 20080922 | ||
| 906 | |0 MH | ||