Commodifying (post)colonialism : othering, reification, commodification and the new literatures and cultures in English /
Disimpan dalam:
| Pengarang-pengarang Lain: | , |
|---|---|
| Format: | Buku |
| Bahasa: | English |
| Diterbitkan: |
Amsterdam ; New York :
Rodopi,
2010.
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| Siri: | Cross/cultures ;
127. ASNEL papers ; 16. |
| Subjek-subjek: | |
| Penanda-penanda: |
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| 005 | 20110407084938.0 | ||
| 008 | 101217s2010 ne b 000 0 eng d | ||
| 015 | |a 22558230 |2 bccb | ||
| 020 | |a 9789042032262 (hbk.) | ||
| 020 | |a 904203226X (hbk.) | ||
| 020 | |a 9789042032279 (ebk.) | ||
| 020 | |a 9042032278 (ebk.) | ||
| 035 | 0 | |a ocn705540267 | |
| 040 | |a NLGGC |e fobidrtb |c STF |d ERASA |d FDA | ||
| 050 | 4 | |a NX180.P67 |b C66 2010 | |
| 245 | 0 | 0 | |a Commodifying (post)colonialism : |b othering, reification, commodification and the new literatures and cultures in English / |c edited by Rainer Emig and Oliver Lindner. |
| 260 | |a Amsterdam ; |a New York : |b Rodopi, |c 2010. | ||
| 300 | |a xxiv, 262 p. ; |c 24 cm. | ||
| 490 | 1 | |a Cross/cultures ; |v 127 | |
| 490 | 1 | |a ASNEL papers ; |v 16 | |
| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | 0 | |t Theory. |t Bordieu, capital, and the postcolonial marketplace / |r Jens Martin Gurr -- |t Fiction. |t "Savage" violence and the colonial body in Nathaniel Crouch's The English acquisitions in Guinea and East India (1708) and in Edward Cooke's A voyage to the South Sea (1712) / |r Oliver Lindner ; |t Saccharographies / |r Carl Plasa ; |t "The dark races stand still, the fair progress" : |t Matthew Kneale's English Passengers and the intellectual commodification of colonial encounter in Tasmania / |r Wolfgang Funk ; |t Alice in Oz : |t a children's classic between imperial nostalgia and transcultural reinvention / |r Sissy Helff ; |t Think local sell global : |t magical realism, The whale rider, and the market / |r Lars Eckstein ; |t Dialogue within changing power-structures : |t commodification of black South African women's narratives by white women writers? / |r Ksenia Robbe ; |t Phantasmagorical representations of postcolonial cityscapes in Salman Rushdie's Fury (2002) and Suketu Mehta's Maximum city : |t Bombay lost and found (2004) / |r Cecile Sandten -- |t Drama. |t Amiri Baraka's revisiting of slavery : |t memory, historical amnesia, and commodification / |r Samy Azouz ; |t Moving beyond Irish (post)colonialism by commodifying (post)colonial stage Irishness : |t Martin McDonagh's plays as global commodities / |r Katharina Rennhak -- |t Film and pop music. |t The moveable frontier : |t John Ford and Howard Hawks at home and in Africa / |r Stephan Laqué ; |t "We are the ones you do not see" : |t the need for a change of focus in filming black Britain / |r Birte Heidemann ; |t Exoticism and authenticity in contemporary British-Asian popular culture : |t the commodification of difference in Bride & prejudice and Apache Indian's music / |r Sabine Nunius ; |t Salman Rushdie superstar : |t the making of postcolonial literary stardom / |r Ana Cristina Mendes ; |t Celebrity conservationism, postcolonialism, and the commodity form / |r Graham Huggan. |
| 650 | 0 | |a Postcolonialism and the arts. | |
| 700 | 1 | |a Emig, Rainer, |d 1964- | |
| 700 | 1 | |a Lindner, Oliver. | |
| 830 | 0 | |a Cross/cultures ; |v 127. | |
| 830 | 0 | |a ASNEL papers ; |v 16. | |
| 988 | |a 20110407 | ||
| 906 | |0 OCLC | ||