Thinking in film : the politics of video installation according to Eija-Liisa Ahtila /
What is a moving image, and how does it move us? In Thinking In Film, celebrated theorist Mieke Bal engages in an exploration - part dialogue, part voyage - with the video installations of Finnish artist Eija-Liisa Ahtila to understand movement as artistic practice and as affect. Through fifteen yea...
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| வடிவமà¯: | பà¯à®¤à¯à®¤à®•à®®à¯ |
| மொழி: | English |
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London :
Bloomsbury,
2013.
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| LEADER | 03081cam a2200361Ii 4500 | ||
|---|---|---|---|
| 001 | 014088991-4 | ||
| 005 | 20140805144318.0 | ||
| 008 | 130425s2013 enka b 001 0 eng d | ||
| 020 | |a 9781472526915 (hbk.) | ||
| 020 | |a 1472526910 (hbk.) | ||
| 020 | |a 9781472532749 (pbk.) | ||
| 020 | |a 1472532740 (pbk.) | ||
| 020 | |z 9781472526342 (ePDF) | ||
| 020 | |z 9781472531988 (ePub) | ||
| 035 | 0 | |a ocn840465645 | |
| 040 | |a BTCTA |b eng |e rda |c BTCTA |d BDX |d DEBSZ |d NLGGC |d QGK |d EMU |d IAK | ||
| 050 | 4 | |a N6494.V53 |b B35 2013 | |
| 090 | |a N6494.V53 |b B35 2013 | ||
| 100 | 1 | |a Bal, Mieke, |d 1946- | |
| 245 | 1 | 0 | |a Thinking in film : |b the politics of video installation according to Eija-Liisa Ahtila / |c Mieke Bal |
| 260 | |a London : |b Bloomsbury, |c 2013. | ||
| 300 | |a xvii, 308 pages : |b illustrations, some of which are color ; |c 23 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and indexes. | ||
| 505 | 0 | |a Prologue -- Introduction. Thinking in film ; Thinking moving : artistic practice ; The political of the aesthetic : theoretical practice -- Exhibition : syntax. This is not an exhibition ; Zooming in : exhibition as close-up ; The end ; The beginning ; Where are we? between politics and aesthetics ; Retrospection : how exhibition syntax works ; Hearing sounds : ruf ruf ; Death against mastery ; Theater of mirrors -- Work : meaning. What if? the politics of legibility ; "I am where the sounds are" ; Beyond the face ; Psychotic modeling and psychosis as model ; The camera as narrator ; Singularizing the senses : destroying timespace ; Being in time? philosophy and the paddleboat ; Feminism and the house ; Affect as a language -- Installation : threshold. If time was space ; If cinema was gallery ; The gallery as political space ; On the threshold ; Black as leader ; The threshold as index ; If she was other ; Moving subjectivity installed -- Narrative : ending. End of story ; Storytelling to the dogs ; Indexical narration ; "Thought cold as snow" ; Sense-time ; Corn-possibility ; Turning corners, learning to bow, bowing out -- Genre contact : spaces. Genre as habit and habitat ; Today as (anti-) melodrama ; Melodrama and mourning ; Figurations of death ; Death as configuration ; Death and the poet ; Mektoub -- Epilogue: Images. | |
| 520 | |a What is a moving image, and how does it move us? In Thinking In Film, celebrated theorist Mieke Bal engages in an exploration - part dialogue, part voyage - with the video installations of Finnish artist Eija-Liisa Ahtila to understand movement as artistic practice and as affect. Through fifteen years of Ahtila's practice, including such seminal works as The Annunciation, Where Is Where? and The House, Bal searches for the places where theoretical and artistic practices intersect, to create radical spaces in which genuinely democratic acts are performed. | ||
| 600 | 1 | 0 | |a Ahtila, Eija-Liisa, |d 1959- |
| 650 | 0 | |a Video installations (Art) | |
| 899 | |a 415_565082 | ||
| 988 | |a 20140609 | ||
| 906 | |0 OCLC | ||