Curationism : how curating took over the art world and everything else /
Now that we 'curate' even lunch, what happens to the role of the connoisseur in contemporary culture? 'Curate' is now a buzzword applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile gr...
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| Pengarang Utama: | |
|---|---|
| Format: | Buku |
| Bahasa: | English |
| Diterbitkan: |
Toronto :
Coach House Books,
2014.
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| Siri: | Exploded views
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| Subjek-subjek: | |
| Penanda-penanda: |
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| 100 | 1 | |a Balzer, David, |d 1976- |e author. | |
| 245 | 1 | 0 | |a Curationism : |b how curating took over the art world and everything else / |c David Balzer. |
| 264 | 1 | |a Toronto : |b Coach House Books, |c 2014. | |
| 300 | |a 144 pages ; |c 19 cm. | ||
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| 490 | 0 | |a Exploded views | |
| 520 | 8 | |a Now that we 'curate' even lunch, what happens to the role of the connoisseur in contemporary culture? 'Curate' is now a buzzword applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows and biennials in a way that can eclipse and assimilate the contributions of individual artists. At the same time, curatorial studies programs continue to grow in popularity, and businesses are increasingly adopting curation as a means of adding value to content and courting demographics. Everyone, it seems, is a now a curator. But what is a curator, exactly? And what does the explosive popularity of curating say about our culture's relationship with taste, labour and the avant-garde? In this incisive and original study, critic David Balzer travels through art history and around the globe to explore the cult of curation - where it began, how it came to dominate museums and galleries, and how it was co-opted at the turn of the millennium as the dominant mode of organizing and giving value to content. At the centre of the book is a paradox: curation is institutionalized and expertise-driven like never before, yet the first independent curators were not formally trained, and any act of choosing has become 'curating.' Is the professional curator an oxymoron? Has curation reached a sort of endgame, where its widespread fetishization has led to its own demise? | |
| 650 | 0 | |a Curatorship |x History. | |
| 650 | 0 | |a Art |x History. | |
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| 906 | |0 OCLC | ||