Exhibiting outside the academy, salon and biennial, 1775-1999 : alternative venues for display /

"In recent years there has been increasing scholarly interest in the history of museums, academies, and major exhbiitions. There has been, however, little to no sustained interest in the histories of alternative exhibitions with the notable exception of those publications that deal with situati...

Full description

Saved in:
Bibliographic Details
Other Authors: Graciano, Andrew, (Editor)
Format: Book
Language:English
Published: Farnham, Surrey ; Burlington, VT : Ashgate, [2015]
Subjects:
Tags: Add Tag
No Tags, Be the first to tag this record!
LEADER 03480cam a2200397 i 4500
001 014319140-3
005 20150605183733.0
008 140725s2015 enkaf b 001 0 eng
010 |a  2014029253 
015 |a GBB4F3313  |2 bnb 
020 |a 9781472428271  |q (hardcover :  |q alk. paper) 
020 |a 1472428277  |q (hardcover :  |q alk. paper) 
035 0 |a ocn884961894 
040 |a DLC  |b eng  |e rda  |c DLC  |d YDX  |d BTCTA  |d ERASA  |d YDXCP  |d CDX  |d YNK  |d CUD  |d OCLCQ 
042 |a pcc 
050 0 0 |a N4396  |b .E94 2015 
082 0 0 |a 707.5  |2 23 
245 0 0 |a Exhibiting outside the academy, salon and biennial, 1775-1999 :  |b alternative venues for display /  |c edited by Andrew Graciano. 
264 1 |a Farnham, Surrey ;  |a Burlington, VT :  |b Ashgate,  |c [2015] 
300 |a xiii, 292 pages, 20 unnumbered pages of plates :  |b illustrations (chiefly color) ;  |c 25 cm 
336 |a text  |b txt  |2 rdacontent 
336 |a still image  |b sti  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
520 |a "In recent years there has been increasing scholarly interest in the history of museums, academies, and major exhbiitions. There has been, however, little to no sustained interest in the histories of alternative exhibitions with the notable exception of those publications that deal with situations involving major artists or those who would become so. The present volume uses and contextualizes eleven case studies to advance some overarching themes and commonalities among alternative exhibitions in the long modern period fromt he late eighteenth to the late twentieth centuries and beyond. These include the issue of control in the interrelation and elision of the roles of artist and curator, and the relationship of such alternative exhibitions to the dominant modes, structures of display, and cultural ideology." 
505 0 |a Nathaniel Hone's 1775 Exhibition: The First Single-Artist Retrospective 13 (24) Konstantinos Stefanis 2 Branding Shakespeare: Boydell's Shakespeare Gallery and the Politics of Display 37 (18) Heather McPherson 3 Fantasy and Rivalry: Jean-Baptiste Regnault's Solo Exhibition, Paris 1800 55 (30) Katie Hanson 4 Rereading "Court" in the Touring Exhibition of Rembrandt Peale's Court of Death (1820) 85 (26) Tanya Pohrt 5 "Plasmati dalle sue mani": Canova's Touch and the Gipsoteca of Possagno 111 (20) Christina Ferando 6 Art History as Spectacle: Blockbuster Exhibitions in 1850s England 131 (38) Amy M. Von Lintel 7 Merging Form and Formlessness: The 1892 Monotype Exhibition by Edgar Degas 169 (14) Christine Y. Hahn 8 The Radical Work of Oskar Kokoschka and the Alternative Venues of Die Kunstschauen of 1908 -- 1909, Vienna, Austria 183 (22) Rosa J.H. Berland 9 Bringing the Boudoir into the Gallery: Florine Stettheimer's "Failed" Solo Exhibition 205 (18) Karen Stock 10 Exhibiting the Museum-Function: Marcel Broodthaers and the Musee D'Art Moderne, Departement des Aigles 223 (12) Julian Jason Haladyn 11 Georges Adeagbo: Between Artwork and Exhibition 235 (24) Kathryn M. Floyd Epilogue Control Issues: Creation, Display and Meaning 259 (6) Andrew Graciano. 
650 0 |a Art  |v Exhibitions  |x History. 
650 0 |a Art  |x Exhibition techniques. 
650 0 |a Artists and art museum curators. 
650 0 |a Artists and museum curators. 
655 7 |a History.  |2 fast 
700 1 |a Graciano, Andrew,  |e editor. 
899 |a 415_565195 
988 |a 20150310 
906 |0 DLC