Art in Vienna 1898-1918 : Klimt, Kokoschka, Schiele and their contemporaries /
The artistic stagnation of Vienna at the end of the 19th century was rudely shaken by the artists of the Vienna Secession. Their work shocked a conservative public, but their successive exhibitions, their magazine Ver Sacrum, and their application to the applied arts and architecture soon brought th...
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| தலைமை எழà¯à®¤à¯à®¤à®¾à®³à®°à¯: | |
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| வடிவமà¯: | பà¯à®¤à¯à®¤à®•à®®à¯ |
| மொழி: | English |
| வெளியீடபà¯à®ªà®Ÿà¯à®Ÿà®¤à¯: |
London :
Phaidon Press Limited,
2015.
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| பதிபà¯à®ªà¯: | 4th edition (updated and expanded). |
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பொரà¯à®³à®Ÿà®•à¯à®•à®®à¯:
- Vienna 1900
- Secession
- The beginnings
- The first exhibition
- The dedication of the house : the second exhibition
- Ver sacrum : III-VI exhibitions
- The 'Klimt affair' : the University paintings
- Exhibitions 1900-1902
- Beethoven 1902
- XVI-XVIII exhibitions, 1903
- The split within the Secession
- Architecture and the applied arts
- The Ringstrasse and the architecture of historicism
- Otto Wagner, 1841-1918
- Joseph Maria Olbrich, 1867-1908
- Josef Hoffmann, 1870-1956
- The Wiener Werkstätte
- Palais Stoclet : the Stoclet frieze
- Kabarett Fledermaus
- Alfred Roller, 1864-1935
- Hoffmann's later work
- Adolf Loos, 1970-1933
- Kunstschau 1908-1909: the early work of Kokoschka and Schiele
- Kunstschau 1908
- Oskar Kokoschka, 1886-1980
- Richard Gerstl, 1883-1908
- Kunstschau 1909 : Vienna before the War
- Egon Schiele, 1890-1918
- Vienna 1914-1918 : Epilogue : the later work of Klimt and Schiele.