Transatlantic Romanticism : British and American art and literature, 1790-1860 /

"That the Romantic movement was an international phenomenon is a commonplace, yet to date, historical study of the movement has tended to focus primarily on its national manifestations. This volume offers a new perspective. In thirteen chapters devoted to artists and writers of the late eightee...

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Disimpan dalam:
Butiran Bibliografi
Pengarang-pengarang Lain: Hemingway, Andrew., Wallach, Alan.
Format: Buku
Bahasa:English
Diterbitkan: Amherst and Boston : University of Massachusetts Press, [2015]
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Penanda-penanda: Tambah Penanda
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245 0 0 |a Transatlantic Romanticism :  |b British and American art and literature, 1790-1860 /  |c edited by Andrew Hemingway and Alan Wallach. 
264 1 |a Amherst and Boston :  |b University of Massachusetts Press,  |c [2015] 
300 |a vii, 326 pages :  |b illustrations (some color) ;  |c 27 cm 
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504 |a Includes bibliographical references and index. 
505 0 |a The city. "The pit of modern art" : practice and ambition in the London art world -- The urban ecology of art in Antebellum New York -- Urban convalescence in Lamb, Poe, and Baudelaire -- History. Sublime and fall : Benjamin West and the politics of the sublime in early nineteenth-century Marylebone -- Benjamin West's royal chapel at Windsor : who's in charge, the patron or the painter? -- The politics of style : Allston's and Martin's Belshazzars -- James Fenimore Cooper and American artists in Europe : art, religion, politics -- Landscape. John Martin, Thomas Cole, and deep time -- "Gorgeous, but altogether false" : Turner, Cole, and transatlantic ideas of decline -- Thomas Cole and transatlantic romanticism -- Race. Picturing the murder of Jane McCrea : a critical moment in transatlantic romanticism -- The romantic Indian commodified : text and image in George Catlin's Letters and notes (1841) -- Romantic racialism and the antislavery novels of Stowe, Hildreth, and Melville. 
520 |a "That the Romantic movement was an international phenomenon is a commonplace, yet to date, historical study of the movement has tended to focus primarily on its national manifestations. This volume offers a new perspective. In thirteen chapters devoted to artists and writers of the late eighteenth and early nineteenth centuries, leading scholars of the period examine the international exchanges that were crucial for the rise of Romanticism in England and the United States. In the book's introduction, Andrew Hemingway--building on the theoretical work of Michael Lowy and Robert Sayre--proposes that we need to remobilize the concept of Weltanschauung, or comprehensive worldview, in order to develop the kind of synthetic history of arts and ideas the phenomenon of Romanticism demands. The essays that follow focus on the London and New York art worlds and such key figures as Benjamin West, Thomas Bewick, John Vanderlyn, Washington Allston, John Martin, J. M. W. Turner, Thomas Cole, James Fenimore Cooper, George Catlin, Edgar Allan Poe, Harriet Beecher Stowe, and Herman Melville. Taken together, these essays plot the rise of a romantic anti-capitalist Weltanschauung as well as the dialectic between Romanticism's national and international manifestations." -- Publisher's description 
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